KOCHUU is a visually stunning film about modern Japanese architecture, its roots in the Japanese tradition, and its impact on the Nordic building tradition. Winding its way through visions of the future and traditional concepts, nature and concrete, gardens and high-tech spaces, the film explains how contemporary Japanese architects strive to unite the ways of modern man with the old philosophies in astounding constructions.

KOCHUU, which translates as "in the jar," refers to the Japanese tradition of constructing small, enclosed physical spaces, which create the impression of a separate universe. The film illustrates key components of traditional Japanese architecture, such as reducing the distinction between outdoors and indoors, disrupting the symmetrical, building with wooden posts and beams rather than with walls, modular construction techniques, and its symbiotic relationship with water, light and nature.

The film illustrates these concepts through remarkable views of the Imperial Katsura Palace, the Todai-Ji Temple, the Naoshima Contemporary Art Museum, the Sony Tower, numerous teahouses and gardens (see link below for complete list), as well as examples of the cross-fertilization evidenced in buildings throughout Scandinavia, and shows how 'invisible' Japanese traditions are evident even in modern, high-tech buildings.

KOCHUU also features interviews with some of Japan's leading architects as well as Scandinavian contemporaries including Pritzker Prize winners Tadao Ando and Sverre Fehn, Toyo Ito, Kazuo Shinohara, Kristian Gullichsen and Juhani Pallasmaa (see link below for complete list and bios).

KOCHUU is a compelling illustration of how the aesthetics of Japanese architecture and design are expressed through simple means, and also shows that the best Japanese architecture, wherever it appears, expresses spiritual qualities that enrich human life.

"A film about architecture could leave a forebrain stifled. That KOCHUU does nothing of the kind speaks to the iridescence of its light, shapes and colors, as well as its profusion and juxtaposition of ideas."—Northwest Asian Weekly

"A gentle, beautiful film that lingers over images of gardens and details of buildings."—The Age

"Unhurried and often beautiful...draws the watcher in. Mesmerising!"—The Australian

"A small film with big thoughts...a dynamic dialogue in design spanning the past, present, and future...Wachtmeister's film footage of architects describing their design ideas within their realized buildings is a veritable historical document."—Journal of the Society of Architectural Historians