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The People's Painting |
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Directed by Chris Granlund |
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![]() Do you prefer a painting the size of a paperback, a dishwasher or a car? Such questions were a part of a project that combined conceptual art, market research, humor and a road trip. THE PEOPLE'S PAINTING is the chronicle of this project - a collaboration between New York based Russian Avant-garde artists Vitaly Komar and Alex Melamid. Fascinated by the West's obsession with polls, market research and focus groups, they set out to create a painting using these revered tools of capitalism. Komar and Melamid began by polling a representative sample of people in the UK, thereby establishing a British preference for landscapes or portraits, abstracts or figurative paintings. They then began their tour of the country in a Mini, decorated with the Union Jack, to discover more about British taste. Along the way they met and interviewed such typical people as a miner, a tattoo artist, housewives, a designer, an earl and a witch. They also canvassed opinions from experts such as the Royal Academy's director of exhibitions, Norman Rosenthal, and best selling painter Gordon King. Based on their findings, Komar and Melamid produced a 'most wanted' painting, a true people's painting. Called "conceptualism at its most elegant and effective" (New York Times) - the painting and the film are an evocative and satirical portrait of Britain today, and an examination of the tools of late Twentieth Century capitalism. "A deliciously tongue-in-cheek, but never patronizing, mockery of the British taste in visual art. Komar and Melamid make us think about what art is, without seeming to be lecturing us."—The Times (UK) |
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49 minutes
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Subject areas: Art, Britain, Cultural Studies, England | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Last updated 05/31/2008 |
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